I’ve successfully assembled my second soldering kit: The Velleman MK130 ‘3D’ Christmas Tree. It’s a set of blinking LEDs that sit atop a 9V battery… or you can add some long wires and hang it as a Christmas ornament.
At any rate, it was good practice for soldering, and the result is kinda cute. See my YouTube Video of the Kit for the whole experience.
Since I’ve been doing Arduino work, I’ve accumulated a few board and Shield kits that I need to put together. I haven’t soldered since college, so I decided to brush up on my rusty skills by buying one of those little electronics project kits: a Velleman MK102 Flashing LEDs kit.
I first heard of Tim Hunkin when I watched his TV series The Secret Life of Machines: a whimsical but thorough explanation of how various devices, from elevators to fax machines, work. I was hooked.
In the summer of 2008, the Oregon Chorale toured Ireland, Northern Ireland, and Scotland. The best party of the trip was the banquet at Bunratty Castle, with dining, drinking, and singing together.
In June and July of 2001, we were back on the boards, in Stage One’s production of Guys and Dolls, as a fundraiser for Hillsboro (Oregon) area high schools’ performing arts departments. It was so much fun to perform together, and with such a talented cast!
In the fall of 2000, the co-presidents spent a month in Wales and England. For Linda it was a research trip into English king Edward’s medieval castles (built to crush the Welsh), and into various Victorian museums covering everything from candy to coal. For Brad, it was time to be a tourist: once every seven years at Intel, you get a block of 8 weeks off to reacquaint yourself with the world, so Brad spent half of his 8 weeks on tour.
In June and July 2000, the Co-Presidents were reunited on stage for the first time in 18 years (too long!): Linda played Golde, Tevye’s wife, and Brad played Lazar Wolf, the butcher, in Stage One’s production of Fiddler on the Roof. Stage One is a fundraising organization for the Hillsboro area high schools’ performing arts departments.
I’ve sung most of my life, yet only recently have I started to ask the question “How do unaccompanied vocalists stay in tune?” The process sounds simple enough at first: vocalists stay in tune because they have good relative or absolute pitch memory — they remember what the 5th of the scale sounds like, and can sing it whenever they like. This explanation works at some level, but a few nagging questions remain.
Sure, everybody claims to have seen Elvis…but how many people get to be Elvis?
It all started early in 1998 when Silverna McCall, the Drama director at HilHi, enigmatically asked me “How’s your Elvis impression?” Little did I know that she was producing the musical Joseph and the Amazing Technicolor Dreamcoat, and that, although she had assembled from HilHi’s student body the most amazing collection of singers and actors, she was short one adult baritone to play the part of the Pharaoh. Not quite knowing what to expect, I said “yes”.